By Helena Miguélez-Carballeira
Of all of the differentiated areas comprising modern Spain, Galicia is probably the main deeply marked by means of political, fiscal and cultural inequities through the centuries. potentially a result of absence of a nationally conscious neighborhood bourgeoisie and the enduringly colonial buildings informing Spanish-Galician financial and cultural family members, techniques of nationwide development within the quarter were patchily profitable. even though, Galicia's cultural distinctness is definitely recognisable to the observer, from the language spoken within the region---the modern version of outdated Galician-Portuguese---to the explicit different types of the Galician outfitted panorama, with its detailed mix of indigenous, imported and hybrid parts. the current quantity deals English-language readers an in-depth advent to the necessary points of Galician cultural background, from pre-historical occasions to the current day. when consciousness is given to the normal parts of medieval tradition, language, modern historical past and politics, the e-book additionally privileges compelling modern views on cinema, structure, the town of Santiago de Compostela and the city characteristics of Galician tradition this day. Helena Miguélez-Carballeira is a Senior Lecturer in Hispanic reports at Bangor college, and Director of the Centre for Galician stories in Wales
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Extra info for A Companion to Galician Culture
It was precisely this Crónica de 1404 that was to prove the greatest contribution to the historiography of the Iberian Peninsula made by Galician GALICIAN CULTURE AND WRITTEN CULTURE IN THE MIDDLE AGES 27 literature. Originally written in Galician, three examples are preserved which demonstrate the fluidity of Galician–Castilian cultural relations at the time. The fragmentary manuscript m-62 held in the Menéndez Pelayo Library in Santander dating from the beginning of the fifteenth century is edited in Galician and is the source of the two other extant versions.
It was during this period that the troubadour song reached maturity with authors such as Martin Soarez, Pero Garcia Burgalês and Pero da Ponte and others such as Alfonso X, Bernal de Bonaval, Johan Airas de Santiago, Johan Garcia de Guilhade, Johan Perez d’Aboim, Johan Soarez Coelho, Pai Gomez Charinho and Pedr’Amigo de Sevilha. The Dionysian period during the reigns of Don Denis of Portugal (1280–1325) and Sancho IV of Castile-Leon (1284–95) marks the end of the apogee and a turning of the tide for the Galician-Portuguese lyrical tradition following the death of the Portuguese monarch.
Santiago de Compostela: Universidade de Santiago de Compostela. Rico, Francisco (1969). ‘Las letras latinas del siglo XII en Galicia, León y Castilla’, Ábaco. Estudios sobre Literatura Española, 2, pp. 11–91. Souto Cabo, José António (2001). Rui Vasques. Crónica de Santa María de Íria. I. Catedral / Seminario de Estudos Galegos. ____ (2011). ‘A emergência lírica galego-portuguesa e os primeiros trovadores’, A Trabe de Ouro, 87 (3), pp. 367–92. Tavani, Giuseppe (1986). A poesía lírica galego-portuguesa.
A Companion to Galician Culture by Helena Miguélez-Carballeira