By Gavin D. T. Ambrose, Neil Leonard
Sturdy layout starts off with stable rules, generated in keeping with a given layout short. winning visible results can in simple terms be arrived at in the course of the new release of significant rules, pushed by way of learn that would eventually give you the fashion designer with a number of capability layout suggestions. fundamentals photo layout 03: inspiration new release explores the various ways that the clothier can generate principles. attention is given to viewers, context and fabrics in addition to the various degrees of suggestion iteration, from the macro to the micro; from mind storming to extra concentrated, selective and strategic structures.
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Additional info for Basics Graphic Design 03: Idea Generation
Working all the time on trains, in pubs, in the bath, when walking about…You need to get lots of references, keep feeding your brain with film, art, music and discussion. We often sit down around a table to discuss a project with very little to go on, and then get up an hour later with loads of possible ideas. How do your best ideas occur? When you least expect them. Often for me it’s when I’m sitting on a train and the beginning of an idea forms. It’s when you share and discuss that idea that it becomes more fully formed and much better.
You should record the words as they are said. The activity should be fast-paced and you should put a time limit on it. Once you have reached the end of the game, compare the first and last words, and look for the thread that people followed – this will give you an insight into the group’s thoughts on your project. You can also approach this in a more formal and targeted way, in the manner a marketing company would. To be more precise and measured about the data you collect you can pick a single stimulus (an object, campaign or brand) and ask a number of people for a few words that they associate with it.
Setting some self-imposed limitations can help to focus the mind and to generate ideas within the constraints of a given brief. 58 Shown is a radical rethinking of CD packaging for artist Simon Patterson’s Colour Match screensaver which was sold in the Tate Modern, London. Featuring a recording of football commentator John Cavanagh reading results, the foam ball and net playfully references the subject matter. The packaging protects the artwork and acts as a point of display, but it also encourages interaction.
Basics Graphic Design 03: Idea Generation by Gavin D. T. Ambrose, Neil Leonard