Paul Schmeling's Berklee Music Theory - Book 2 (Berklee Press) PDF

By Paul Schmeling

ISBN-10: 0876390661

ISBN-13: 9780876390665

The second one in a two-volume sequence in accordance with over forty years of tune conception guideline at Berklee collage of tune. This quantity specializes in concord, together with triads, 7th chords, inversions, and voice major for jazz, blues and renowned tune types. you will advance the instruments had to write melodies and create powerful harmonic accompaniments from a lead sheet.

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Extra resources for Berklee Music Theory - Book 2 (Berklee Press)

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4 ww b 4 39 Berklee Music Theory, Book 2 4. Create a 2:1 pattern, using the third, fifth, and seventh to create an accompaniment. FMaj7 4 &b 4 œ œ œ œ BbMaj7 Emin7(b5) œ œ œ œ w A7 w ? 4 b 4 Ear Training 34 1. Listen to the following arpeggiated chords, and identify them as major 7, dominant 7, or minor 7. a. major 7 dominant 7 minor 7 b. major 7 dominant 7 minor 7 c. major 7 dominant 7 minor 7 d. major 7 dominant 7 minor 7 e. major 7 dominant 7 minor 7 f. major 7 dominant 7 minor 7 g. major 7 dominant 7 minor 7 35 2.

Watch out for the key signature! 4 &b 4 ? 4 b 4 A7 ˙ Dmin7 œ G7 œ œ. mus Berklee Music Theory, Book 2 Lesson 57. Arpeggiating Accompaniment Chords 31 Arpeggiating chords—playing each note of the chord separately, rather than all at the same time—is a common way to create harmonic accompaniment. Notice that the notes of each chord are argeggiated in the same order, starting with the lowest note to the highest note and back again—while the original voice leading from the previous lesson remains intact (Lesson 56, p.

44 Dmin7 G7 46 3. Listen to the Dmin7, G7, and CMaj7 chords. Then, transcribe this 4-measure melody. & 44 48 Dmin7 G7 CMaj7 .. What’s Next? What’s Next? Congratulations on finishing Berklee Music Theory, Book 2. Now you have a basic understanding of chords and chord types, including major, minor, diminished, and augmented triads and seventh chords. You’ve practiced voice leading, connecting notes from chord to chord in a way that sounds smooth and musical. You’ve explored harmonic accompaniment on piano, and have even written melodies of your own.

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Berklee Music Theory - Book 2 (Berklee Press) by Paul Schmeling


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